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Agnieszka Kurant, Placebo , 2018
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Amalia Pica, please open hurry (in memory of Washoe), 2018
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Tomás Saraceno, Pneuma 420, 2018
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Thomas Scheibitz, Porträt K.S., 2018
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Hannah Starkey, Processions, London 2018, 2018
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Olafur Eliasson, Reality projector, 2018
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Olafur Eliasson, Red moon rise, 2018
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Olafur Eliasson, Retinal flare space, 2018
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Magali Reus, Sentinel (Vapor Trail), 2018
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Magali Reus, Sentinel (Watermelon), 2018
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Lisa Williamson, Small Clench, 2018
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Susan Philipsz, Study for Strings (Violin), 2018
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Sherrill Roland, Summer 2014 Issue, 2018
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Analia Saban, Tapestry (16K Dynamic RAM, 4116, Mostek, 1976), 2018
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Laura Lima, Telescope, 2018
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Olafur Eliasson, Terrene warmth, 2018
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Haim Steinbach, the nutcracker, 2018
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Olafur Eliasson, The speed of your attention, 2018
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Olafur Eliasson, The unspeakable openness of things, 2018
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Jeffrey Vallance, Thomas Kinkade: The Lord’s Flock & Witness to the Miracle (Performance Relic), 2018
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Lisa Williamson, Tuner, 2018
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Sandra Cinto, Untitled, 2018
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Martin Boyce, Untitled, 2018
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Shilpa Gupta, Untitled (Jailed poets drawing), 2018
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Shilpa Gupta, Untitled (Spoken Poem in a Bottle), 2018
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Nicole Wermers, Untitled Ashtray (shells), 2018
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Gillian Wearing, Wearing, Gillian, 2018
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Martin Boyce, Within Sight of the Lake, 2018
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Karyn Olivier, Witness, 2018
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Shilpa Gupta, Words Come From Ears, 2018
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Kelly Akashi, Woven Lens with Apparatus, 2018
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Laura Lima, Wrong Drawing 2049, 2018
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Yuko Mohri, You Locked Me Up in a Grave, You Owe Me at Least the Peace of a Grave, 2018
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Mark Manders, Composition with Four Yellow Verticals, 2017-2019
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Mark Manders, Small Room with Three Dead Birds and Falling Dictionary, 2017-2019
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Shilpa Gupta, For, in your tongue, I cannot fit, 2017-2018
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Tomás Saraceno, Installation view, Baltimore Museum of Art, 2017-2018
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Shilpa Gupta, Untitled, 2017-2018
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Shilpa Gupta, Untitled [detail], 2017-2018
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Thomas Scheibitz, Figur und Landschaft, 2017
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Yuko Mohri, I/O, 2017
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Shilpa Gupta, 1:2138, 2017
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Gillian Wearing, A Real Danish Family, 2017
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Susan Philipsz, A Single Voice, 2017
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Martin Boyce, A Steel Magpie, 2017
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Agnieszka Kurant, A.A.I., Installation view, Crash Test, 2017
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Sherrill Roland, After the Wake Up, 2017
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Agnieszka Kurant, Air Rights 6, 2017
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Thomas Scheibitz, Amiga, 2017
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Agnieszka Kurant, Assembly Line (3), 2017
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Liu Shiyuan, Best Friends Forever, 2017
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Liu Shiyuan, Best Friends Forever, 2017
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Rita Lundqvist, Bird/Fagel, 2017
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Monica Bonvicini, Bonded, 2017
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Dana Powell, Brass eye, 2017
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Yuko Mohri, Breath or Echo, 2017
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Monica Bonvicini, Breathing, 2017
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Kelly Akashi, Candle Candle Stand, 2017
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Thomas Scheibitz, Casino, 2017
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Sarah Sze, Centrifuge, 2017
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Phil Collins, Ceremony, Installation view, The MAC, Belfast, 2017
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Tomás Saraceno, Cloud Cities: du sol au soleil, 2017
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Nathalie Djurberg & Hans Berg, Dark Side of the Moon, 2017
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Martin Boyce, Dead Star (Reclining), 2017
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Kelly Akashi, Double Penetration, 2017
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Lisa Williamson, Earth Wave, 2017
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Kimsooja, Encounter - Looking into Sewing, 2017
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Amalia Pica, Extended ears, 2017
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Kelly Akashi, Feel Me, 2017
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Meschac Gaba, Hirshhorn Museum, 2017
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Magali Reus, HWAEL (Fully Automatic Time), 2017
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Tomás Saraceno, Hybrid solitary semi-social 54 Tauri built by: a duet of Linyphia triangularis - three weeks, a nonet of Cyrtophora citricola - three weeks, rotated 180°, 2017
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Uta Barth, In the Light & Shadow of Morandi (17.10), 2017
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Math Bass, Installation image, Serpentine Door, YUZ Museum, 2017
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Slavs and Tatars, Installation view, Contemporary Art Centre, Vilnius, 2017
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Slavs and Tatars, Installation view, Contemporary Art Centre, Vilnius, 2017
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Math Bass, Installation view, Crowd Rehearsal, Jewish Museum, 2017
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Math Bass, Installation view, Crowd Rehearsal, Jewish Museum, 2017
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Susan Philipsz, Installation view, Kunstverein Hannover, 2017
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Mark Dion, Installation view, Mark Dion: Misadventures of a 21st-Century Naturalist, ICA Boston, 2017
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