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Mark Dion, Storm King Environmental Field Station, 2019
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Mark Dion, Storm King Environmental Field Station, 2019
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Kelly Akashi, Submersion, 2019
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Sarah Sze, Surround Sound (After Studio), 2019
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Jónsi, Svartalda (Dark wave), 2019
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Laura Lima, The moor, 2019
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Susan Philipsz, The Wind Rose, 2019
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Karyn Olivier, The World will be saved, 2019
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Nathalie Djurberg & Hans Berg, This is Heaven (film still), 2019
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Rivane Neuenschwander, Trópicos malditos, gozosos e devotos 08 (Tropics: Damned, Orgasmic and Devoted 08), 2019
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Haim Steinbach, Untitled (duck, owl, alexa, kong), 2019
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Susan Philipsz, White Flood, 2019
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Rodrigo Hernández, Who Loves You, 2019
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Thomas Scheibitz, Window / Studio, 2019
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Jónsi, With my dying friend, 2019
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Wong Ping, Wong Ping, Installation view, Golden Shower, Kunsthalle Basel, Switzerland, 2019
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Ernesto Neto, Yobapa the bodyHeals a CorpoCura, 2019
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Tomás Saraceno, Zonal Harmonic 2N 110/10, 2019
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Karyn Olivier, Fortified, 2018-2020
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Karyn Olivier, Fortified, 2018-2020
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Karyn Olivier, Fortified [detail], 2018-2020
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Tomás Saraceno, 610 Mhz (MACSJ2243.3-0935 / Radio Halo), 2018
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Charles Long, a big fucking relief, 2018
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Tomás Saraceno, Aeolus 35.98, 2018
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Liu Shiyuan, Almost Like Rebar No.4, 2018
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Sherrill Roland, April 2014 Issue, 2018
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Slavs and Tatars, Bicephalic, 2018
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Dana Powell, Bonfire, 2018
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Kimsooja, Bottari, 2018
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Karyn Olivier, Car Cover and Export Shoes, 2018
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Karyn Olivier, Car Cover and Export Shoes [detail], 2018
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Lisa Oppenheim, CGI Volcano: An enormous eruption fills the screen with plumes of smoke 2017/2018 (Triptych Version I), 2018
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Liu Shiyuan, Chair No. 7, 2018
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Lisa Williamson, Complex, 2018
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Wong Ping, Dear, can I give you a hand?, 2018
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Magali Reus, Dearest (Sour Grapes), 2018
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Sherrill Roland, December 2013 Issue, 2018
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Haim Steinbach, Display #92 - Collectibles of Maria Kornherr, 2018
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Olafur Eliasson, Diurnal tide (day), 2018
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Charles Long, fathers, 2018
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Sherrill Roland, February 2014 Issue, 2018
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Kelly Akashi, Feel Me (Amber), 2018
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Yuko Mohri, Flutter, 2018
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Dana Powell, Fog machine, 2018
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Liu Shiyuan, Fuck it, I Love You., 2018
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Ernesto Neto, GaiaMotherTree, 2018
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Ernesto Neto, GaiaMotherTree [detail], 2018
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Slavs and Tatars, Gut of Gab, 2018
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Slavs and Tatars, Ha'mann in the hood, 2018
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Charles Long, husbands (Abelard), 2018
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Ernesto Neto, Installation view, Fondation Beyeler, 2018
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Tomás Saraceno, Installation view, ON AIR, Palais de Tokyo, Paris, France, 2018
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Tomás Saraceno, Installation view, ON AIR, Palais de Tokyo, Paris, France, 2018
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Tomás Saraceno, Installation view, ON AIR, Palais de Tokyo, Paris, France, 2018
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Wong Ping, Installation view, One Hand Clapping, Solomon R. Guggenheim Museum, New York, 2018
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Carla Klein, Installation view, Tanya Bonakdar Gallery, 2018
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Liu Shiyuan, Installation view, Tanya Bonakdar Gallery, 2018
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Nicole Wermers, Installation view, WOMEN BETWEEN BUILDINGS, Kunstverein in Hamburg, 2018
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Nicole Wermers, Installation view, WOMEN BETWEEN BUILDINGS, Kunstverein in Hamburg , 2018
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Liu Shiyuan, Isolated Above, Connected Down, 2018
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Sherrill Roland, January 2014 Issue, 2018
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Tomás Saraceno, KELT-21 b/M+I, 2018
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Kelly Akashi, Lenses, 2018
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Kelly Akashi, Long Exposure, 2018
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Analia Saban, Magnetic Core Memory Structure #3, 2018
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Sherrill Roland, March 2014 Issue, 2018
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Sherrill Roland, May 2014 Issue, 2018
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Gillian Wearing, Me as Madame and Monsieur Duchamp, 2018
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Dana Powell, Moon flare, 2018
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Liu Shiyuan, Music Forbidden, 2018
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Math Bass, Newz!, My Dear Dear Letter, 2018
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Math Bass, Newz!, My Dear Dear Letter, 2018
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Sherrill Roland, November 2013 Issue, 2018
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Sherrill Roland, October 2013 , 2018
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Dana Powell, Orange pears, 2018
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Charles Long, paradigm lOst, 2018
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Tomás Saraceno, Particul(ar)ate Matter(s) Cycle, Calendrier Lun-AIR de Paris, 2018
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Martin Boyce, PERMANENT INSTALLATION: A Thousand Future Blossoms, 2018
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Martin Boyce, PERMANENT INSTALLATION: Remembered Skies, Tate Britain, London, 2018
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Math Bass, Pink Dots, 2018
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