NATHALIE DJURBERG & HANS BERG: THE BLACK POT: GARAGE CENTER FOR CONTEMPORARY CULTURE, MOSCOW

Although her visual language draws upon the aesthetics of childhood, Djurberg's work avoids sentimentality and instead explores subconscious and taboo desires. 

A degree of allegory is characteristic of her work, particularly through her use of archaic forms of narrative, such as the fable and myth, which are traditionally used to represent core archetypes of human behavior and their more extreme manifestations. 

The Black Pot—Djurberg and Berg’s latest project—differs greatly from previous works insofar as the film does not contain scenes of violence, graphic sexual imagery or extreme physiological states. Instead, a certain poetic and metaphorical abstraction emerges within the fragmented narrative. Drawing on classical mythology, Djurberg plays with the subject of ontogenesis (the transformation of an organism from an egg to a mature form).  The Black Pot, like all the films by the artist, is accompanied by the eccentric and hypnotic music of Hans Berg.

The central video installation takes the shape of a circular panorama where symbols of universal creation take on a very personal and poetic note. As in a bubbling pot, sublime and earthy senses mix in the dark space of the universe. The exhibition also features new work by the artist, including sculptural seats that take the shape of everyday items, such as donuts or scrambled eggs. These are formally united in a circle—the primary symbol of the creation of the world.