Liu Shiyuan
Born in 1985 in Beijing, Liu Shiyuan is now based in both Beijing and Copenhagen. Having grown up in China during a phase of unprecedented technological advances, global commercialization and popular culture assimilation, and later traveling and living between China, the U.S. and Europe, Liu adapted and cultivated an innate sensibility unique to the contemporary Chinese diaspora. Active since 2007, Liu’s practice explores a complex, transcultural 'identity confusion'—a lack of any specific identity confinement, so to speak, wherein one’s lived experience and self-understanding derive from fluctuating components of rationality and mystery, reality and fiction. Employing both found and made material, her work makes satirical and exaggerated use of de- and re-contexulized, unassuming fragments extracted from or mimicking the internet and the quotidian, speaking of an emerging, and in ways increasingly disoriented, generation born into an information matrix that tells the story of who they are and what they desire. Despite her Chinese nationality, Liu’s perspective isn’t defined or constrained by any one cultural subjectivity. Rather, her life and work together embody a young and provocative approach entrenched in and responding to a world of social and digital ’nomads’ in the making.
Liu Shiyuan received her MFA in Photography from the School of Visual Arts, New York in 2012, and BFA from Central Academy of Fine Arts, Beijing in 2009. Her work has been shown in solo and group exhibitions around the world. In 2020, Liu had a major solo exhibition entitled Opaque Pollination at the Frost Museum at Florida International University in Miami. In 2015, the YUZ Museum Shanghai held a solo presentation of her monumental photo-based installation As Simple As Clay. Her solo presentation My Paper Knife, Local Futures, Alter-Circuit was also featured in the Asia Contemporary Art Week 2014 in San Francisco. In 2014, she received Honorary AIR Award from Kala Art Institute, San Francisco, and in 2012, the Paula Rhodes Memorial Award, New York. Her solo presentation at Frieze New York 2016 received a special commendation in the inaugural Frame Stand Prize.
In 2017, Liu’s large-scale video installation work The Best is Yet to Come was featured in Cold Night at Ullens Center for Contemporary Art, Beijing, and her installation work This Way or That Way was shown in .COM.CN, an important group exhibition co-hosted by K11 Art Foundation & MOMA PS1 in Hong Kong, curated by Klaus Biesenbach and Peter Eleey. This Way or That Way was featured in a group exhibition titled Welcome to the Jungle at Kunsthalle Düsseldorf in 2018 and in the group show Art Patrons at Qiao Space Shanghai in 2018.
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Liu Shiyuan: CRISPR Whisper
Fotografiska, Shanghai 2024年7月5日 - 10月7日 -
Fruiting Bodies
Tanya Bonakdar Gallery, New York 2022年6月23日 - 7月29日 -
Liu Shiyuan: For Jord
Tanya Bonakdar Gallery, Los Angeles 2020年11月14日 - 2021年1月30日 -
THE RETURN OF THE REAL
Tanya Bonakdar Gallery, New York 2020年7月14日 - 8月28日 -
Liu Shiyuan: Opaque Pollination
Patricia & Phillip Frost Art Museum 2020年1月21日 - 4月12日 -
LUNAR PHASES: Liu Shiyuan and Bibi Zhou
UCCA, Beijing, China 2019年11月13日 - 12月4日 -
Liu Shiyuan: Floating event
Vejle Museum 2019年7月1日 - 9月1日 -
Liu Shiyuan: Isolated Above, Connected Down
Tanya Bonakdar Gallery, New York 2018年2月22日 - 4月7日 -
LIU SHIYUAN: COLD NIGHT
ULLENS CENTER FOR CONTEMPORARY ART, BEIJING 2017年9月15日 - 12月17日 -
LIU SHIYUAN: AS SIMPLE AS CLAY
YUZ MUSEUM, SHANGHAI 2015年11月14日 - 2016年1月31日