Haim Steinbach

For more than four decades, Haim Steinbach has explored the psychological, aesthetic, cultural and ritualistic aspects of collecting and arranging already existing objects. His work engages the concept of “display” as a form that foregrounds objects, raising consciousness of the play of presentation. Steinbach selects and arranges objects – which range from the natural to the ordinary, the artistic to the ethnographic – thereby emphasizing their identities, inherent meanings and associations. An important influence in the growth of post-modern artistic dialogue, Steinbach’s work has radically redefined the status of the object in art.

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Born in Rehovot, Israel in 1944, Haim Steinbach has lived in the United States since 1957. He received a BFA from Pratt Institute in 1968, followed by an MFA from Yale University in Connecticut in 1973.

In 2018, Steinbach presented the solo exhibition every single day at Museum Kurhaus Kleve, Germany, which traveled to the Museion Bolzano, South Tyrol, Italy in 2019. Also, in 2018, Steinbach presented zerubbabel, the inaugural exhibition of Magasin III, Jaffa, Israel. In 2013, the Hessel Museum of Art at Bard College in New York mounted a major exhibition of Steinbach’s “Displays,” his site-specific installations since the late 1970s. Entitled once again the world is flat, the exhibition traveled to Kunsthalle Zurich and the Serpentine Gallery, London. Other notable solo exhibitions include The Menil Collection, Houston (2014); Statens Museum fur Kunst, Copenhagen (2013-14); Berkeley Art Museum, UC Berkeley (2005); Museum Moderner Kunst, Vienna (1997); Castello di Rivoli Museo d’Arte Contemporanea, Turin, Italy (1995); Kunsthalle Ritter, Austria (1994); Osmosis at the Guggenheim Museum, New York (with Ettore Spalletti), (1993); no rocks allowed at Witte de With Centre for Contemporary Art, Rotterdam (1992); and CAPC musée d’art contemporain, Bordeaux (1988). His work was presented at the 1997 Venice Biennale as part of the 47th International Art Exhibition curated by Germano Celant, and featured in Documenta IX, Kassel, Germany (1992), curated by Jan Hoet.

Steinbach’s work has also been included in important group exhibitions at The Museum of Modern Art, New York; The Museum of Contemporary Art, Chicago; The Hirshhorn Museum, Washington D.C.; Tate Liverpool, Liverpool; Victoria and Albert Museum, London; Palais de Tokyo, Paris; New Museum, New York; Stedelijk Museum, Amsterdam; Museum of Contemporary Art, San Diego; Musée Rodin, Paris; The Jewish Museum, New York; Museo Reina Sofia, Madrid; The Louisiana Museum of Modern Art, Humlebaek, Denmark; and Whitechapel Gallery, London. In 2019, The Museum of Modern Art featured the work hello again (2013) by Steinbach in the inauguration of its new galleries.

The artist’s work is represented in the permanent collections of The Museum of Modern Art, New York; The Metropolitan Museum of Art, New York; The Whitney Museum of American Art, New York; The Dallas Museum of Art, Dallas; The Guggenheim Museum, New York; Tate Modern, London; The Museum of Contemporary Art, Los Angeles; Albright Knox Museum, Buffalo, NY; The Carnegie Museum of Art, Pittsburgh; The Hammer Museum, Los Angeles; Stedelijk Museum, Amsterdam; Centre Georges Pompidou, Paris; Israel Museum, Jerusalem; Museum Moderner Kunst, Vienna; and The Museum of Contemporary Art, Chicago.